“She was one of the first of our generation to step out there and take it on the chin,” he said. Her friend TJ Osborne of Brothers Osborne, who added some vocals on the new album’s title track, credits Musgraves with expanding the bounds of acceptable country behavior, both politically and artistically. Her 2015 follow-up, “Pageant Material,” struck more lyrical blows to country tradition.
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She guesses she wrote a couple hundred in the space of a couple years, and she would eventually snag credits on Martina McBride’s “When You Love a Sinner,” Lambert’s “Mama’s Broken Heart” and - in a meta turn - songs for the cast of the soapy TV series “Nashville.”īut she kept some of her best material in her pocket, and in 2013, she released her debut album, “Same Trailer Different Park” - a witty, melancholy portrait of small-town life that turned her Texas pedigree on its head and managed to embrace both queer love and pot smoking without ever seeming to preach.
Musgraves got a job as a staff writer for Warner Chappell Music when she was 21, sometimes writing multiple songs a day for a carousel of artists. I asked Musgraves whether she believed it at the time, and she shrugged suggestively. As he put it: “Everyone has always been who they are, you know?” The exhibit includes framed school disciplinary notes she earned in 20 (her infractions included “excessive talking”) and a page from the Mineola High School yearbook where her peers voted her Most Likely to Become Famous. When Tashian toured the artifacts in 2019, he was struck by their consistency with Musgraves’s grown-up self.
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She wrote her first song - “Notice Me” - at age 9, and released a string of CDs with names like “Wanted: One Good Cowboy.” Musgraves maintained a childhood website at, and when I plugged the address into the Internet Archive Wayback Machine, I excavated a virtual guest book with comments from boys (“Kacey! My Love! remember me?”), Miranda Lambert (“Keep on Truckin’!!”) and Karen Musgraves (“Yes, I went and accidentally wiped out all of the guestbook! Sorry Kacey! All entries will be back on as soon as we can reload them! Love, Mom”). Musgraves was born in Golden, Texas, a town of a couple hundred, in 1988, and within a decade, she was singing in a Fort Worth youth group called the Cowtown Opry Buckaroos and breaking out with her own girl band, the Texas Two Bits. “Look at this,” she said, raising a sly eyebrow and springing from the couch. The trio first assembled at the Royal Plum to make her 2018 album, “Golden Hour.” They tried stuff, it did not suck and the outcome was better than fine: “Golden Hour,” an album of psychedelic-kissed folk, fingerpicked country yarns and a shimmering dip into disco, won four 2019 Grammy Awards, including album of the year, and lifted Musgraves’s profile from cult country artist to mainstream contender.Īs the three sat around discussing its follow-up, “Star-Crossed,” Musgraves’s phone lit up. Musgraves drifted easily around the space in plaid trousers and an enigmatic little smile, a kind of yee-haw Mona Lisa. Tashian, the owner of the studio, known as the Royal Plum, wore an all-Patagonia outfit and offered room-temperature lemon water from a glass carafe Fitchuk settled in a puff of smoke, his center-parted blonde hair mingling with the beads around his neck, a tequila soda jangling in his hand.
Musgraves was joined by a couple of dads, the producers Daniel Tashian and Ian Fitchuk. “You can try stuff and if it sucks, it’s fine.” “I don’t feel self-conscious out here,” Musgraves said, leaning into a snug couch next to a Himalayan salt lamp. On an August afternoon, the 33-year-old singer and songwriter arrived there to find a basketball rolled into the driveway, tiny swimsuits drying on the porch and a spaniel, Bean, rooting around the percussion section for a stick. NASHVILLE - Kacey Musgraves made her new album in a garage studio buzzing with domestic chaos.